Download PDF The Dawn of Technicolor: 1915–1935, by James Layton David Pierce
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The Dawn of Technicolor: 1915–1935, by James Layton David Pierce
Download PDF The Dawn of Technicolor: 1915–1935, by James Layton David Pierce
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Review
"The book is carefully laced with a variety of photographs, film strips, diagrams, and images of archival texts and diaries, giving a beautifully textured visual history ... It takes you through the complex and multifaceted aspects of the company's development, giving a great sense of the personal and professional aspirations, challenges, set-backs, and triumphs." (Rosie Taylor, Silent London)The Dawn of Technicolor "is one of the most thorough and informative books on the cinematic process that can be had ... Authors James Layton and David Pierce carefully investigate and examine the process of Technicolor, from its primitive beginnings in the silent era to its growth into the early days of talking pictures. The challenges in filming and processing, the impact, and the evolution of the technology as film itself continued to grow, are all covered with complete and fascinating information." (James L. Neibaur, Examiner.com)"The Dawn of Technicolor is, in fact, essentially a business history, with modern-day echoes in the story of Pixar's decades-long effort to bring computer technology to old-school animation. The end result is a reference book with immense value for historians of both business and film--a thorough account of the technology that made Tinseltown glow." (Farran Smith Nehme, The Wall Street Journal)"There are illustrations to delight a cinephile, including reproductions of actual frames of nitrate film. Chapters begin with full-page photos, rare and often stunning. The final section is a complete filmography of all 371 films made using the two-color Technicolor process. Each entry includes extensive production data and, sadly, "survival status." Most of these early color films are lost or exist only in a fragment. In some cases, the frames pictured in the book constitute nearly all of what is left of the film." (Farran Smith Nehme, The Wall Street Journal)There have been previous publications on the subject, ... but this is an achievement on another scale. ... Pierce and Layton have set the bar very high. (Sonia Genaitay, Sight & Sound)
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About the Author
James Layton is Manager of the Museum of Modern Art's Celeste Bartos Film Preservation Center. Prior to this he worked at George Eastman House in Rochester, NY, where he curated two gallery exhibitions and the website Technicolor 100. Layton has also acted as Cataloguer and Workflow Coordinator at the East Anglian Film Archive in Norwich, UK, and is co-author of the Image Permanence Institute's informational poster Knowing and Protecting Motion Picture Film (2009).David Pierce is an independent film historian and archivist. He was formerly the Head of Preservation and Curator of the National Film and Television Archive at the British Film Institute. His articles have appeared in numerous journals, and his report on the survival of American silent feature films was published by the Library of Congress in 2013. In 2011 he founded the Media History Digital Library, providing free online access to millions of pages of motion picture magazines and books.
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Product details
Hardcover: 448 pages
Publisher: George Eastman House; Annotated edition edition (February 24, 2015)
Language: English
ISBN-10: 0935398287
ISBN-13: 978-0935398281
Product Dimensions:
10.2 x 1.5 x 13 inches
Shipping Weight: 6.6 pounds
Average Customer Review:
4.4 out of 5 stars
38 customer reviews
Amazon Best Sellers Rank:
#1,114,262 in Books (See Top 100 in Books)
I just received this in the mail today, so I haven't had a chance to read it yet, but I wanted to leave a review in case anyone else was thinking this was a photo book. The book is mostly text, with some small pictures sprinkled throughout. There are a handful (just flipping through I'd guess maybe 15-20?) of full page photos, but most are about 1/4 or 1/5 page. Since the description boasts that the book is "lavishly illustrated" with more than 400 pictures and it's about 13" x 10" I was expecting this to be more of a coffee table book, not a textbook.I'm sure the book will be really interesting and I'm looking forward to reading it. I'm also very happy with the filmography of two-color technicolor films in the back of the book. It just isn't what I had in mind when I bought it.
If you are lover of the technical aspects of film history, I think you will find this book one of the most treasured items in your library. It is a 450-page detailed history of the Technicolor process from its inception in 1917 (and the pre-history of its inventors), through the last of its two-color films in the early 1930s. There is a brief chapter on the changeover to the superior three-color system, plus an exhaustive filmography of all films shot and printed in the various two-color processes, including a summation of what film elements still exist on those films. It is lavishly illustrated with frame blow-ups from countless films. It carefully rides the line between being too technical for an average reader and not being technical enough for in-the-know readers. This must certainly be the finest book on this topic.
This book describes the many steps in Technicolor's development through its early history as a continuously evolving two color process, ending as the refined three-color Technicolor process is used to film "Becky Sharp". One hopes a second volume is forthcomng!It includes hundreds of color images (ranging from full page to double-size reproductions of actual film clips), many of which have never been published before, and a filmography of details on every Technicolor movie of the era, many titles exceedingly obscure, many lost forever. It's remarkable how beautiful the limited color range (no yellow, no pure blue, no pure green or red) could be in skillful hands. Biographical details on many of the original Technicolor team are a real plus; there were many men (and a few women) involved in addition to the famous names like Kalmus.Completely new to me were the details here of the business side of Technicolor; the relentless promotion needed to keep the expensive and quite imperfect two-color process alive in the face of competing technology, studio indifference and some outright hostility to the idea of color movies.What's missing here is the kind of granular technical detail to be found in Roderick T. Ryan's "The History of Motion Picture Color Technology," published in 1977. Ryan goes into specifics of camera mechanics, filter bandwidths, film spectral sensitivity and color dye sets that's missing here. Alas, Ryan's own book on Technicolor was never completed.Bill Taylor ASC
A book that is destined to be the all-time reference on early Technicolor. The films produced are not the main 'focus' - it is the chronicle of the ups and downs of the struggle to introduce, keep and refine color in the movies. It is very well researched and laid out. A bit big and heavy to hold while reading - but reading it is all worthwhile. This is a book that should stand the test of time and be valuable to anyone who ever will want to really learn about what is important in film. Buy one before it goes out of print!
Here is a book that belongs in every true cinema fan's library. It's not the usual story about studios and films that have been told countless times before. This is the history of Technicolor and very well written. Also of value is the chronology of films that had any Technicolor parts including what, if any, of the films and color components remain today. Fascinating reading.
Painstakingly researched book detailing the origins and development of the 2-color Technicolor process from 1915 through 1935. It is therefore puzzling why the making of "Becky Sharp", the first 3-color feature, is given such short-shrift, with only 2 photographs, no reviews on its first release, etc. Perhaps another book just on its making is in order.
Excellent coffee table book about the history of color photography in the commercial movie industry. By 1935 Technicolor was perfected, and it doubled the cost of a feature film, but it became the industry standard. What a wealth of info this book is! What a struggle it was to achieve what we take for granted today. I recommend this book for any history buff!
I'm am fascinated by the history of film and early twentieth century history. This book is fascinating, the photos and descriptions are exquisite, and I will keep it forever.
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